Gretchen Peters has long been one of Nashville’s most beloved and respected artists, known never to shy away from darkness and struggle in her writing. “If Peters never delivers another tune as achingly beautiful as ‘On A Bus To St. Cloud,'” People Magazine wrote, “she has already earned herself a spot among country’s upper echelon of contemporary composers.”
The latest accolade for the Nashville-based singer-songwriter was her induction into the Nashville Songwriters Hall of Fame in October 2014. She joined the 192 existing inductees including Johnny Cash, Rodney Crowell, Don & Phil Everly, Woody Guthrie, Merle Haggard, Tom T. Hall, Harlan Howard, Kris Kristofferson, Dolly Parton, Jimmy Webb and Hank Williams. At the induction ceremony in Nashville before a capacity audience, Rodney Crowell spoke on behalf of Peters, calling her “both a songwriter and a poet (who) sings as beautifully as she writes,” and said her song “The Matador”, “moved me so greatly, I cried from the soles of my feet.”
Peters has risen to the top of her craft by writing and recording songs that explore the deep corners of life with empathy and integrity. She has accumulated accolades as a songwriter for artists as diverse as Etta James, Bonnie Raitt, The Neville Brothers, Patty Loveless, George Strait, Bryan Adams and Faith Hill. Of her own recordings, the Associated Press said, “this is not jukebox music – the stuff that exists to fill in the pauses in conversation. This IS the conversation.”
Her latest album, ‘Blackbirds’, follows Peters’ 2012 album ‘Hello Cruel World,’ which NPR called “the album of her career” and Uncut said “establishes her as the natural successor to Lucinda Williams.” If anything, though, ‘Blackbirds’ truly establishes Peters as a one-of-a-kind singer and songwriter, one in possession of a fearless and endlessly creative voice.